5 Designers To Look For At LC:M AW16

5 Designers To Look For At LC:M AW16

Casely-Hayford

The daddy-boy duo of Joe and Charlie Casely-Hayford happen to be silently revolutionising men’s clothing since their brand released in ’09, trussing traditional pieces in advanced fabrics and novel silhouettes. Before lower the runway it converted as nylon and neoprene motorcyclists, knee-length bomber jackets along with a scarf-collared double-breasted suit that appeared as if the romance child of the 1930s tuxedo along with a kimono, if it absolutely was introduced up by Yeezy.

Exactly what the pair create eventually trickles in to the everyday their loose, unstructured tailoring has basically changed skinny suits therefore the show is definitely an chance to get at hop on cresting trends. Our conjecture? Longline tailoring and non-traditional fabrics, combined with straight-from-the-basketball-court sportswear.

Casely-Hayford

Wales Bonner

The style industrys new golden child, Elegance Wales Bonner tallied up column inches together with her debut SS15 show, which required black critical theory and distilled it into clothes which were once boundary-breaking and oozed history. Since that time, the Central St Martins graduate continues to be accountable for a number of LC:Ms most jaw-shedding moments, that have investigated the intersection between African background and European beliefs in fashion and luxury.

Wales Bonners designs include become more and more wearable because the brands profile is continuing to grow last season was wealthy in extra-large summer time suiting, as opposed to her debuts pink mohair and Bowie-rivalling flares but her style continues to be unique enough to avoid fast fashion brands ripping them back.

Wales Bonner is proof fashion can marry appearance and theory, without hindrance either to.

Grace Wales Bonner

Baartmans And Siegel

The Nederlander-British duo of Wouter Baartmans and Amber Siegel cut their teeth at Viktor and Rolf, before starting their eponymous label this year. Over half ten years, the brands proven a penchant for experimentation, be that in silhouette or fabric, subverting men’s clothing traditions without failing to remember their clothes have to be wearable enough to eventually finish on someones back.

Last seasons collection, themed around desolation, was infused having a publish-apocalyptic aesthetic heavy on ripped jeans and utilitarian outerwear (the duos patch-pocketed blazer could be well suited for stashing ammunition and gives when civilisation is within meltdown). However this seasons invite is overlaid with map of Harlem nightclubs created in 1932, so were expecting something freer however with that very same undercurrent of violence the borough was ripped apart by riots only 3 years later.

However that reference materialises, you are able to bet that it’ll slot readily to your AW16 wardrobe.

Baartmans And Siegel

Craig Green

After reducing his audience to tears together with his SS15 show devoted towards the late Louise Wilson, his tutor at Central St Martins Eco-friendly arrived for many flack last season for recycling old ideas. Obviously, the total amount between brand identity and insufficient innovation is hard to navigate whenever your designs are as wild as Vegetables. Nobody gripes when Paul Cruz transmits lower suits every season, however when youre the only real designer showcasing peephole ninja gear, your last show may be the only reason for comparison.

Though his bubbles not even close to burst Vegetables show remains certainly one of LC:Ms most popular tickets it seems like this year might be his do or die, where he either lives as much as his billing as British menswears most enjoyable designer, or individuals accusations hes a 1-trick-pony begin to cement.

We predict his signature holes our invitation includes a telling punch-out but our moneys on him unleashing something thrilling indeed.

Craig Green

Christopher Raeburn

Is it feasible to have an eight-year-old brand to become an establishment? Whether it treads that tricky line between consistency and innovation, then perhaps so. Splitting his time between his eponymous logo and role as creative director at Victorinox, Christopher Raeburn gives both an in-depth knowledge of clothes as functional objects.

To slide into certainly one of his durable parkas, or even the robust anoraks he sent lower his SS16 runway, is to produce a very distinct delineation between in here, and available. Its outerwear so protective you felt it could need planning permission.

But Raeburn is another student of favor history, particularly its military roots, which anchors even individuals designs that experiment, that push against anticipations, and prevents them climbing down into anarchy. Its a strategy thats especially apparent in the Reprocessed pieces, that are fashioned entirely from recycled fabric up to now thats incorporated military parachutes and, for AW15, existence rafts, resurrected as bomber jackets and backpacks.

Along with the new raw material, look out for his latest animal mascot one comes with each season that will stick to the sharks, gorillas, owls, foxes and bunnies of previous collections. A significant menagerie.

Christopher Raeburn

 

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